Cosmos is Alexander von Humboldt's attempt at a physical description of the whole universe, gathered late in life from a career of travel and observation. This first volume opens with a translator's preface and the author's own preface, then moves through a long Introduction and a General Review of Natural Phenomena that surveys nature from the most distant nebulae down to the plants, animals, and peoples of the earth. The aim is not a catalogue but a connected portrait of one ordered world.
The Introduction states the book's central claim. Studied not just for material use but for its effect on the mind, nature reveals its noblest result as a knowledge of the chain of connection that links all natural forces and makes them mutually dependent. Considered rationally, Humboldt writes, nature is a unity in diversity of phenomena, one great whole animated by the breath of life. The work of reason is to establish that unity and harmony while still analyzing the individual parts.
Humboldt gives unusual weight to the enjoyment that nature awakens. He distinguishes a first kind of pleasure, felt on a plain or an ocean shore independently of any scientific knowledge, from a sharper enjoyment that comes from the definite knowledge of phenomena. Recalling his own travels through the valleys of the Cordilleras and the summit of the Peak of Teneriffe, he argues that this sense of grandeur is not weakened by inquiry; rather, perceiving how phenomena connect exalts the view and deepens the enjoyment.
He is careful to mark the limits of his project. Cosmos does not pretend to rise to the perilous abstractions of a purely rational science of nature. It is a physical geography joined to a description of the regions of space and the bodies in them, founded on what Humboldt calls a rational empiricism: the results of facts registered by science and tested by the intellect. The unity he seeks is compared to the unity of a historical composition, drawn from observation rather than deduced from ideas alone.
The General Review then carries out the program. Humboldt argues that a picture of the universe should not begin from human concerns but with what fills the regions of space, so he starts with nebulae and sidereal systems, descends through the planets, comets, and the structure of the earth, and works through its magnetism, geology, volcanoes, climate, and meteorology before reaching organic life, the geography of plants and animals, and at last man, race, and language. Throughout, he ties the material world to the ideal world of the observing mind, presenting the unending effort to embrace nature in its universality as a task that can never be finished yet steadily advances.